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Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。经典美剧《人人都爱雷蒙德》不仅在美国拥有众多粉丝，其魅力还席卷了全球多个国家和地区。一部名为《出口雷蒙德》的纪录片，让美国观众有机会了解“雷蒙德”走出国门亮相俄罗斯的经历。 《人人都爱雷蒙德》是哥伦比亚广播公司出品的一部经典王牌喜剧，展现的是一个美国普通家庭的日常生活。整部剧集充满了美式幽默，再加上对小人物的细腻刻画，让它吸引了很多电视观众的目光，粉丝遍布全球。和任何影视产品一样，要想出现在其他国家的电视荧屏上，就需要经历重新编排和翻译等诸多复杂工序。原剧集编剧之一菲利普·罗森塔尔，就有幸参与了俄罗斯版本的编译工作。在工作中他发现，这着实是个搬上大银幕的好题材，于是便把整个编译过程拍摄下来，制作成了这部纪录片《出口雷蒙德》。 从影片的片段中不难看出，由于美国和俄罗斯两个国家的文化和观念都非常不一样，《人人都爱雷蒙德》的译制过程中经常会发生让双方人员都...。